Lightning in a Jar: My She Was Yar

Chapter 9:

Anxious. That was me. I was on the phone with George, and the clock was ticking, as I was supposed to meet up with James and Sam at Eisenhower Park in less than an hour. My plan had been to get an early start, so by now I should’ve been on my bike, halfway there.  After all, it was six miles away and I didn’t want to show up all sweaty and out of breath. I needed time to compose myself, and here, one phone call was threatening to derail everything.

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Eisenhower Park today looks very much like it did then.

George was being his usual, persistent self.

“Who the heck is James?” He’d repeated his question, a question that startled me out of what had been my quiet reverie and anticipation of seeing James soon.

Who the heck is James? His intonation made the name sound more like a contagious disease than someone for whom I was feeling a growing attraction.

Frankly, I wasn’t sure I owed George any explanation. After all, it wasn’t as if he and I were going steady or anything. We’d just dated a few times and after the third date, I did all I could to discourage him, short of demanding him to cease and desist.

For the first time, someone was daring me to explain what I was not prepared to reveal, all because of a slip of the tongue. My slip. What could I possibly say that would make any sense, when I, myself, hadn’t figured out what James was to me?

James was my secret, hidden from prying eyes. Partly because I was embarrassed to admit I liked him. Partly because there was something so different about him. Nothing like the other guys I knew. James was like an orchid requiring extra care from outside pollutants, and I worried letting others in would spoil it. They’d draw their own conclusions and judge unfairly. I’d told no one about my friendship with him and Sam. Not even my closest friend, Liza. Not a soul.

So why bring him up now, especially to someone like George? In all likelihood, he’d run and tell Jake. Not that he’d care. The two of them would probably just have a good laugh over how, after being dumped by a senior, I was dating a measly sophomore. Which, wasn’t true, of course, but soon word would be all over school as if it was. Yes, I cared what people thought. Opinions of others mattered. Which is why I decided to ignore George’s question, and instead focus on the purpose of his call.

“Hey George, what’s up?”

“Okay, if you’re not going to tell me, fine. I’m calling to see if you’d like to go on a bike ride today, and maybe stop at Friendly’s?”

Was this his way of saying he was on to me?

“Um, don’t think I can,” I said cautiously.

“Why not?”

Think, think. “My mother needs help with a sewing project?” I said the first thing that came to mind, more like a question than a statement. Which was dumb. Most people knew my travails with Home Economics and sewing. If my mother did need help, I’d be the last person she’d ask, on account I couldn’t sew a stitch.

He was quiet for a moment, which should’ve been my in to say goodbye and hang up, but instead, I asked, “Is there anything else?”

He took a deep breath. “Well, I was calling to see if you’d like to be my date for the prom.”

The prom? As in the senior prom–the one that I had hoped to attend with Jake? Somehow, the idea of going with George felt like it would be a consolation prize. George, with whom I didn’t have a thing in common or felt an iota of spark. And yet…

Yet, I had to admit, the idea was tempting. It could be my last chance to remind Jake of what he’d given up, and make him pine for me in a way he never had before. This thought made me waver, though, when I thought of going to the beach with George, and making out, I wasn’t as sure. I’d sooner swallow fistfuls of sand.

“Hmm.” I paused, then added, “Let me get back to you on that.” I needed time to think this through. Time that I didn’t have right then. The clock was still ticking.

“Okay, but let me know soon. ” He seemed disappointed.

“I will. Promise.” Click. Poor George. I was sure he deserved better.

Looking at my watch, twenty minutes had passed since the time I had originally planned to leave. With the half hour it took to get there on bike, I wasn’t sure I’d make it on time.  I needed to make haste. I bolted out the door and hurried to the garage to get my bicycle.

When we first moved to Long Island, I didn’t know how to ride a bicycle. I never had one in Queens. It’s not that I was deprived. I did own a tricycle, which I used until the age of five, but a bike didn’t seem a neccesity in Queens, where you could get just about anywhere on foot or by public transportation.

But soon, after moving to Jericho, my brother, who’d figured out how to ride a bike on his own, offered to teach me. I was 12. From then on, there was no pinning me down.

My, she was yar. I’d heard Katharine Hepburn say it to Cary Grant in The Philadelphia Story, about a yacht they once owned together, and the sentiment sounded perfectly apropos for my bicycle. “My she is yar,” is what I’d say when anyone asked me why I spent so much time on my bike. Purple and shiny, I could give a little upward flick to the kickstand, climb onto the triangular seat, and be off in one fell swoop.

I’d go anywhere. I knew all the short cuts and back roads to get to school, the library, and the parks. I could ride my bike to the mall, and to neighboring communities, through Hicksville, Westbury, Mineola, East Meadowbrook, and even all the way out to Jones Beach.

My, she was yar.

There was no greater feeling than the one of riding your bike at top speed, along traffic, weaving in and out as I pleased to get where I needed to go. I even rode along one of the highways, and through lush winding roads dense with foliage, as well as through corporate parks and along railroad tracks. Just me and my bicycle, free to be me. I’d astound myself by how far my bike could take me before I’d turn around and head home.

Now, I was pedaling as if my life depended on it, and maybe it did. I’d been so miserable, these last few months after the breakup, that I didn’t realize until now how much I needed this. How much I was looking forward to it. Yes, there it was again. A yearning deep inside, beckoning me forward. To him.

As I reached the appointed spot for our assignation, I eyed James and Sam right away. James looked up and I could see his face immediately relax. Sam made a face and said something about it being high time I got there and what took me so long.

But I wasn’t listening. My eyes were on James and his on me, and my heart was full.

We were magically entranced, until Sam broke the spell by making a big deal about getting on his bike. James and I followed suit, and soon the three of us took off down a trail that led deeper into the park.

Just James and me–and Sam. There would be no more talk of prom that day.

(To be continued.)

Missed an installment? Catch up by visiting the page, Lightning in a Jar: High School Years.

In Praise of Black & White

Several years ago, my daughter was having a sleepover party for her birthday. She had the whole evening planned. Pizza, board games, cake, a game of Twister, and a movie.

Not just any movie, but, a classic: The Naughty Nineties, starring my personal favorite duo, Abbott and Costello. Who can forget the baseball routine, “Who’s on first?” This iconic comedy bit debuted in their 1945 film, “The Naughty Nineties.” Here’s a clip:

So, my daughter’s plan was to screen the movie. She couldn’t wait to introduce her friends to this comedic duo, who had given us hours and hours of laughs and guffaws. But, no sooner did the opening credits start rolling, when one of her friends said this:

“Black and white!?? This movie better be so good I forget it’s in black and white.”

And with that, my daughter’s excitement in sharing with her friends something she found thoroughly enjoyable was unceremoniously deflated, like a pin, pricked into a prized balloon.

Which makes me wonder, have black and white films become a relic of the past?  Today’s kids, accustomed to movies in color being the norm, not to mention 3D, and out-of-this-world special effects and graphics, seem to have little tolerance for the cinematic gems of the past. Or what I call, the golden age of the silver screen.

Yet, there’s so much these films still have to offer. Granted, they may look dated, but many of the story lines still resonate. Why else would today’s Hollywood moguls pore through the vaults of MGM, Paramount, and United Artists in search of movies to remake?

Films like, The Shop Around the Corner, 1940, which was remade into You’ve Got Mail, 1998; The Big Clock, 1948, became No Way Out, 1987; The Mummy, 1932 and 1999; The Day the Earth Stood Still, 1951 and 2008;  King Kong, 1933 and 2005; Cape Fear, 1962 and 1991; and Father of the Bride, 1950 and 1991. And, that’s just naming a few. In fact, plans are underway for a remake of one of my favorites, The Thin Man, which will star Johnny Depp. Yet, when all is said and done, there’s nothing like the original.

Black and white dramas have timeless morals, and the comedies, wit and snappy banter that inevitably leads to a happy ending. The horror films are all the more exciting because they leave much to the imagination, and the singing and dancing are pure delight. It’s not for naught that the American Film Institute’s Top 100 films feature black and white movies in the top two spots: Citizen Kane and Casablanca.

If black and white cinema is a dying art (and thank heavens for The Artist for its attempt to revive it), then it’s up to us to take a second look at the legacy these classics leave us, and share them with the youth in our lives.

So, the next time you have movie night with your family, consider staying home and watching a black and white film. Trust me, you watch them long enough and, frankly, you do end up forgetting they’re in black and white. My kids started watching these films at a young age, and, as a result, black and white is second nature to them.

I have gathered a list of some of my favorites. They are in no particular order, and represent a smattering of the films my kids were raised on. Quite a few of these are Cary Grant films. (Hint: Look for the “CG.”)

Drama:

A Patch of Blue, a 1965 poignant drama about race relations and love, starring Sidney Poitier and Elizabeth Hartman.

To Kill a Mockingbird

A Patch of Blue

All About Eve (Bette Davis at her best!)

Mr. Lucky (CG as a bad guy with a heart)

Jezebel

The Miracle Worker

Film Noir:

Laura

The Big Clock

The Postman Always Rings Twice

Double Indemnity

The Lost Weekend

Alfred Hitchcock (He’s in a genre all by himself!):

Lifeboat

Rebecca

Suspicion (CG)

Notorious (CG)

Shadow of a Doubt

Mystery & Crime:

Myrna Loy, “Asta,” and William Powell star in the original, “The Thin Man,” based on the novel by Dashiell Hammet. Together, they made an additional five films for the series.

The Thin Man (see the entire series before you see the Johnny Depp version)

The Roaring Twenties

The Spiral Staircase

Angels with Dirty Faces

White Heat

Some Like it Hot (gangsters and comedy)

Comedy:

Harvey

Duck Soup

Here Comes Mr. Jordan (remade into Heaven Can Wait, starring Warren Beatty)

His Girl Friday (CG)

The Awful Truth (CG)

Mr. Blandings Builds His Dream House (CG)

The Time of their Lives

Arsenic and Old Lace (CG)

Cheaper by the Dozen

I Was a Male War Bride (you guessed it, CG)

Father of the Bride

Bringing Up Baby (CG)

So, are there any black and white films you recommend? Please add your favorites to the comment section below.